18 Dec 2018
This is one deep synth. Before you dismiss the feature set, dig a little deeper to see what's really available.
This should get you started down the rabbit hole…there's more fun to come!
There are (at least) 6 pitched sound sources.
There are (at least) 5 filters available
There are (at least) 6 LFOs (8 if you count the complex oscillator)
There are (at least) 4 envelope generators
There are (at least) 6 "constant" CV sources
There are (at least) 6 modulation "depth/amount" controls
There are (at least) 4 Lag (smoothing) generators
There are (at least) 3 random sources
6 Pitched sound sources:
3 Oscillators
LFO at audio rate (w/positive CV modulation, see below under "constant CV sources")
Noise in Resonant/Band mode
Comb Delay with full feedback
5 Filters:
Main filter (unique alternate filter modes available by combining with mixer)
LPG x2 (control via CV into Env F input)
Lag (basically a LP filter)
Comb delay filter (set delay to shortest and use fully "wet")
6 LFOs:
Main LFO
Osc 3 with Range at minimum (follows same range as main LFO in this mode)
Clock 1 (square/rectange and saw/triangle, quantized to tempo)
Clock 2 (square, quantized to tempo)
Noise (band and resonant modes provide near sine waves all the way to full random)
Comb Delay (more complex but still very useful waveforms, modifiable with built in filter)
Complex Osc (if not needed for audio purposes, 2 more LFOs when driven low via negative CV)
4 Envelopes:
Main ADSR
2x A/D or A/R LPG (trigger input produces A/D behavior, Trigger AND Env F. (from same source) produce A/R behavior)
Step Sequencer (can become a drawable envelope, use a little lag/smoothing to remove 'steps')
Constant CV sources:
Mix can output positive or negative CV with no input connected
Scale & Amp can output positive CV with no input connected
CV/Audio "Amount" controls:
Mix can be used as CV "amount" via input #2 (works as an "attenuverter": normal polarity to the right, reverse polarity to the left).
Scale and Amp can be used as CV amount via input #1
4 Lag generators:
Main Lag module
LPGs
Main Filter (especially when driven low via negative CV)
Random sources:
LFO (random and slow random)
Random Key (new random value with each new note)
Noise (noise sources driven low via negative CV are excellent variations on random voltages)
I'm SURE I've missed quite a bit, this is just what I've come up with so far. Dig in, this baby's DEEP!
Selig Audio, LLC