Shock Mount vs Me
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
So I was recording tonight having a great time playing rock star in my downtime. This is the first of several days I have off. I want to get as far away from my day job as possible. I decided to set up a mic and the reality that I am a terrible amateur hit me. My shock mount was a tangled mess. As I moved the cords around to fix the situation it became worse. I am not a stupid person, (though if I were I wouldn't know would I? Stupid people never know.} So I knew I could figure this out. Before long both cords were removed. After multiple attempts and an hour of valuable time, I had not made any progress. I thought to myself, perhaps I am stupid. Then asked myself, what would a stupid person do? Then I thought about my patient's parents and Google. Oh, Dr. Google tells them everything. So there I was googling how to lace up my shock mount. In seconds some lovely guy was telling me how to fix my issue. I still don't recommend the google for your medical needs. If something is bad enough that you are googling, you should see your provider. But if your shock mounts get jaked up google can help. Also, I concede to being an idiot. If you have any stories of failure in the studio I love to hear them. Be well.
-
- Posts: 3777
- Joined: 20 Oct 2017
- Location: Norway
- Contact:
I don't even know what a shock mount is 🤭
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
this
- Attachments
-
- download.jpg (7.94 KiB) Viewed 2330 times
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
- crimsonwarlock
- Posts: 2346
- Joined: 06 Nov 2021
- Location: Close to the Edge
Just a few weeks ago, I realized I got a signal (in Reason) from my Rhode NT1-A microphone while the phantom power on my Scarlett 18i20 was switched off. That resulted in some head-scratching and even considering the NT1-A didn't need phantom power at all Not having done any vocal recordings for a few months, I totally forgot that my microphone is not plugged directly into my audio interface, but goes into my DBX286s vocal processor, which of course delivers the phantom power. The DBX doesn't have an on/off switch, and I forgot to switch off the phantom power. Serious duh! moment
-------
Analog tape ⇒ ESQ1 sequencer board ⇒ Atari/Steinberg Pro24 ⇒ Atari/Cubase ⇒ Cakewalk Sonar ⇒ Orion Pro/Platinum ⇒ Reaper ⇒ Reason DAW.
Analog tape ⇒ ESQ1 sequencer board ⇒ Atari/Steinberg Pro24 ⇒ Atari/Cubase ⇒ Cakewalk Sonar ⇒ Orion Pro/Platinum ⇒ Reaper ⇒ Reason DAW.
-
- Posts: 3777
- Joined: 20 Oct 2017
- Location: Norway
- Contact:
Looks messy and complicated ♂️
C'est the recording life.
Who’s using the royal plural now baby? 🧂
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
crimsonwarlock wrote: ↑27 Feb 2024Just a few weeks ago, I realized I got a signal (in Reason) from my Rhode NT1-A microphone while the phantom power on my Scarlett 18i20 was switched off. That resulted in some head-scratching and even considering the NT1-A didn't need phantom power at all Not having done any vocal recordings for a few months, I totally forgot that my microphone is not plugged directly into my audio interface, but goes into my DBX286s vocal processor, which of course delivers the phantom power. The DBX doesn't have an on/off switch, and I forgot to switch off the phantom power. Serious duh! moment
I feel like I am in good company, thanks for the share.
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
The first mic I ever had with a mount like that is the NT1. I got that in like 2009 so like 15 years ago. I have no excuse. Last night I was using the TF11. I really like the sound of that mic. For mic-ing speakers and amps, I still love the sound of a cheap SM57. I do have a matched pair of LA 120s that use a lot too. I bet you have some nice Mics. Do you have a favorite and why?
I haven't gotten a mic with me, but I think my biggest problem is that I haven't practiced singing in years. I wish I had a private space with no one around where I'd feel like I can practice without making someone cringe.
Best of luck on your endeavour mimidancer.
Best of luck on your endeavour mimidancer.
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
Trevor Horn said that too. So he used a high pass filter and destroyed the lows and low mids in his vocal. Then he killed the radio star.
Once upon a time, before the Internet was a thing, I tried to repair one of those shock mounts using only a handful of hair elastics and a very small picture in a Canford Audio catalogue. It wasn't pretty but it mostly worked, and I used it for some years, but you did have to make running repairs every time you touched it. It was also a bit embarrassing to use it in front of other people but money was tight and gear was expensive back then.
Ok, a while ago I bought a drum machine and couldn't get any sound from it. Checked EVERYTHING, nope, no sound. Took it back to the shop who kindly gave me a replacement, still nothing. Drove me crazy. Long story short, turned out I wasn't pushing the cable all the way into the audio output. Winner!
I still use an SM57 on guitar amps almost exclusively. I also have a pair of Royer 121 ribbons, which also sound nice on amps but they get stuck as room mics for the drums.mimidancer wrote: ↑27 Feb 2024The first mic I ever had with a mount like that is the NT1. I got that in like 2009 so like 15 years ago. I have no excuse. Last night I was using the TF11. I really like the sound of that mic. For mic-ing speakers and amps, I still love the sound of a cheap SM57. I do have a matched pair of LA 120s that use a lot too. I bet you have some nice Mics. Do you have a favorite and why?
For vocals I can't beat my Lawson L47 "gold" mic. I've had it for over 30 years now, it was the first "good" mic I purchased when I got an advance for a project. It has beat out some stellar mics from top rental companies and studios over the years on a surprising range of vocalists, so I love to brag on it.
I also have an SM7b, 421, 414s, Rode NT5s, and various dynamics from Shure and Sennheiser on the drum kit.
My partner lived in China for years and found a place to get good cheep mics (and she got quite a few), and there is one condenser and one ribbon that are AMAZING and only cost her around $2-300.
Here is a shot I did of some of the collection for a magazine article I'm writing, more of a 'glamor' shot than really trying to show the collection:
[The one in front is the one I struggled with the shock mount - I don't think it is actually correct in the picture…]
Selig Audio, LLC
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
- mimidancer
- Posts: 672
- Joined: 30 Sep 2021
Nice hack. thanks for sharing. You should have seen how messed up i had mine.DaveyG wrote: ↑28 Feb 2024Once upon a time, before the Internet was a thing, I tried to repair one of those shock mounts using only a handful of hair elastics and a very small picture in a Canford Audio catalogue. It wasn't pretty but it mostly worked, and I used it for some years, but you did have to make running repairs every time you touched it. It was also a bit embarrassing to use it in front of other people but money was tight and gear was expensive back then.
-
- Information
-
Who is online
Users browsing this forum: No registered users and 6 guests